fontaine dior | lady dior in brooklyn fontaine dior • L'immanenza del linguaggio: un dialogo con Claire Fontaine, Anita Chari, Simone Ciglia, Flashart Italia, June 2020• L'arte di essere libere , Interview with Eva Morletto, See more Features: 1958 Omega Seamaster Vintage Watch with 14K Gold Filled Screw-Back Case and Caliber 470 Automatic Wind Movement. Sporty and classic. Signed Omega 4 .
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Claire Fontaine is a feminist, conceptual artist who uses the readymade and expropriation as critical tools. She is known for her works such as In God They Trust, Human Strike, and Newsfloor, and has collaborated with Dior and other institutions. See moreClaire Fontaine is a feminist, conceptual artist, founded in Paris in 2004 by Fulvia Carnevale and James Thornhill, an Italian-British artist duo who declared themselves her assistants. Since 2018 Claire Fontaine lives and works in See more
Claire Fontaine uses the concept of the readymade as a way of criticising "production" disguised as a creation of more and more artefacts that are desirable because they . See more• Human Strike and the Art of Creating Freedom, Hal Foster (Forward), Semiotext(e), Dec. 2020 ISBN 978-1635901368• Lo sciopero umano e l'arte di creare la libertà (Italian), Ilaria Bussoni (Forward) DeriveApprodi, 2017, See more
• L'immanenza del linguaggio: un dialogo con Claire Fontaine, Anita Chari, Simone Ciglia, Flashart Italia, June 2020• L'arte di essere libere , Interview with Eva Morletto, See more• Newsfloor, Jaleh Mansoor (Author), Anita Chari (Author), Walther König, ISBN 9783960986898 (01.01.2020)• Viaggio in Sicilia, Free Energy, Vito Planeta (Author), . See more• Towards a Theory of Magic Materialism , Vers une théorie du matérialisme magique, Diaphanes, Issue 8/9 Winter 2019/20• Making Life (im)possible in Jens Hoffmann, In the Meantime. Speculations on Art, Curating, and . See more• 2005: Claire Fontaine, Galerie Meerrettich im Glaspavillon an der Volksbühne, Berlin• 2005: Foreigners Everywhere, Reena Spaulings Fine Art, . See more
CLAIRE FONTAINE COLLECTIVE - DÉFILÉS PRÊT-À-PORTER - Woman | DIOR. Her prolific creativity is expressed through the prism of feminism, an essential and omnipresent issue in .
Claire Fontaine is a feminist, conceptual artist who uses the readymade and expropriation as critical tools. She is known for her works such as In God They Trust, Human Strike, and Newsfloor, and has collaborated with Dior and other institutions.
CLAIRE FONTAINE COLLECTIVE - DÉFILÉS PRÊT-À-PORTER - Woman | DIOR. Her prolific creativity is expressed through the prism of feminism, an essential and omnipresent issue in her work, which she qualifies as “a healthy lifestyle, a formidable device for readability.” These pieces were created for the show by the feminist conceptual artist Claire Fontaine, who is actually the artists James Thornhill and Fulvia Carnevale. “Consent, Consent, Consent” appeared illuminated three times in Claire Fontaine’s feminist set for Dior’s autumn/winter 2020 show, carrying the weight of Harvey Weinstein’s incarceration – and setting the tone for a collection that aimed to challenge.The collective, feminist, conceptual artist Claire Fontaine discuss their collaboration on the Dior Autumn-Winter 2020-2021 show scenography, and how an inte.
Enjoy an exclusive interview of artist Claire Fontaine about the venue installation for Dior RTW Autumn/Winter 2020/2021 Show Elsewhere, “We are All Clitoridean Women” riffed on written and painted works by this season’s collaborator Claire Fontaine (who in turn referenced Italian feminist Carla Lonzi), while “Women’s Love is Unpaid Labour” nodded in the direction of Silvia Federici’s 1975 essay Wages Against Housework. Maria Grazia Chiuri collaborated with feminist art collective Claire Fontaine for the set of Dior’s Autumn/Winter 2020 show, which saw the designer expand on her ever-thoughtful vision of how clothing relates to womanhood. This afternoon, as we sat assembled underneath the flashing neon signs made in collaboration with the anonymous artist collective Claire Fontaine, it was impossible not to feel a twinge of.
At Dior's fall 2020, creative director Maria Grazia Chiuri continued her feminist agenda with signs that read "Consent" and "Patriarchy Kills Love" designed by feminist artist Claire Fontaine.Claire Fontaine is a feminist, conceptual artist who uses the readymade and expropriation as critical tools. She is known for her works such as In God They Trust, Human Strike, and Newsfloor, and has collaborated with Dior and other institutions.CLAIRE FONTAINE COLLECTIVE - DÉFILÉS PRÊT-À-PORTER - Woman | DIOR. Her prolific creativity is expressed through the prism of feminism, an essential and omnipresent issue in her work, which she qualifies as “a healthy lifestyle, a formidable device for readability.”
These pieces were created for the show by the feminist conceptual artist Claire Fontaine, who is actually the artists James Thornhill and Fulvia Carnevale. “Consent, Consent, Consent” appeared illuminated three times in Claire Fontaine’s feminist set for Dior’s autumn/winter 2020 show, carrying the weight of Harvey Weinstein’s incarceration – and setting the tone for a collection that aimed to challenge.The collective, feminist, conceptual artist Claire Fontaine discuss their collaboration on the Dior Autumn-Winter 2020-2021 show scenography, and how an inte.
Enjoy an exclusive interview of artist Claire Fontaine about the venue installation for Dior RTW Autumn/Winter 2020/2021 Show Elsewhere, “We are All Clitoridean Women” riffed on written and painted works by this season’s collaborator Claire Fontaine (who in turn referenced Italian feminist Carla Lonzi), while “Women’s Love is Unpaid Labour” nodded in the direction of Silvia Federici’s 1975 essay Wages Against Housework.
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Maria Grazia Chiuri collaborated with feminist art collective Claire Fontaine for the set of Dior’s Autumn/Winter 2020 show, which saw the designer expand on her ever-thoughtful vision of how clothing relates to womanhood.
This afternoon, as we sat assembled underneath the flashing neon signs made in collaboration with the anonymous artist collective Claire Fontaine, it was impossible not to feel a twinge of.
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